READ UP ON PROFESSIONAL DEVELOPMENT OPPORTUNITIES
Satori Shakoor in ‘da Kink in my Hair. Photo by Dahlia Katz.
A series of online training workshops presented by Expect Theatre
Dates: Mondays January 5 - February 2, 2026 (5 sessions)
Time: 6:30-9:00 PM EST on Google Meet
Fee for participants: $325
Subsidized spots are available, email Breanne at breanne@expect.org to inquire.
Applications close December 15.
CRIME STORY: How to Tell Compelling and Engaging True Crime Podcasts with Kathleen Goldhar
Dive into the craft of true crime storytelling with award-winning journalist and host of CBC's Crime Story, Kathleen Goldhar. In this course, you will learn how to tell an engaging, but ethical true crime story over the course of a number of episodes. Perfect for anyone interested in true crime who want to better understand how these stories are best told, no prior experience required.
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Kathleen Goldhar has over 20 years experience telling audio stories. She is the host of the CBC podcast Crime Story and Do You Know Mordechai, and was also the co-creator and producer of the hit podcast Escaping NXIVM. Before she found her way to podcasting she was a member of the CBC Radio's The Current for more than 17 years – eventually leading the program as its Executive Producer.
ME, IRL: Turning Awkward Life Moments into Sketches with Aurora Browne
Dates: Wednesdays January 7 - February 4, 2026 (5 sessions)
Time: 6:30 pm - 9:00 pm EST on Zoom
Fee for participants: $325
Subsidized spots are available, email Breanne at breanne@expect.org to inquire.
Applications close December 15.
Aurora Browne of Baroness Von Sketch Show takes you through the process of turning your worst personal moments into comedy gold. Learn to be comfortable exposing your pettiest, most embarrassing tendencies to the world. From recognizing usable moments through to the final edit.
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Aurora Browne (BFA York U 1995) is an alumna of The Second City Toronto and best known to audiences as one quarter of Baroness Von Sketch Show. She is a veteran of Toronto’s sketch and improv scene and past recipient of The Canadian Comedy Award Best Female Improviser. She has taught improv, acting, musical improv and sketch writing for Second City, Bad Dog Theatre, Comedy Bar, The Assembly and Randolph Academy.
START HERE: Introduction to Playwriting with Keith Barker
This course is for people who want to write, but for whatever reason, have not. There are lots of reasons why people don’t write: opportunity, class, upbringing, understanding, resources, and access. For me, growing up, it was all of these things. I grew up in a blue collar, small town in Northwestern Ontario with zero exposure to the arts. Live theatre did not exist in my world. I didn’t see my first play until I was seventeen, didn’t write my first play until I was in my thirties. This course is for people like me, who are interested in writing, but don’t know how, or what they want to write. I have been a storyteller my whole life, but a playwright/writer for the last 18 years now. I keenly remember not knowing what I was doing. Not only that, but I had to ask a colleague to look at my writing to tell me if I was writing a play, or not, because I wasn’t sure.
This is the course I should have taken 20 years ago, as a way into my writing, a soft landing with no judgment. This is my opportunity to introduce people to my love of the theatre and the power that comes from writing compelling stories for a live audience. People say writing is a lonely life, but this course hopes to dispel this idea, and help foster a community of writers, who will be encouraged to embrace a more collaborative nature to the work, through group readings, feedback, and engaging with new writing. Together we will explore what stories you want to tell, while engaging in dynamic conversations about contemporary performance.
Dates: Wednesdays February 4-March 4, 2026 (5 sessions)
Time: 6:30-9pm EST on Zoom
Fee for participants: $325
Subsidized spots are available, email Breanne at breanne@expect.org to inquire.
Applications close January 16, 2026.
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Keith Barker is a member of the Métis Nation of Ontario. He is a playwright, actor, and director from Northwestern Ontario. Keith is the Director of the Foerster Bernstein New Play Development Program at the Stratford Festival, and the former Artistic Director at
Native Earth Performing Arts in Toronto. He is the winner of the Dora Mavor Moore Award and the Playwrights Guild’s Carol Bolt Award for best new play. Keith was a finalist for the Governor General’s Award for English Drama in 2018 for his play, This Is How We Got Here. He received a Saskatchewan and Area Theatre Award for Excellence in Playwriting for his play, The Hours That Remain, as well as a Yukon Arts Award for Best Art for Social Change. Keith was the recipient of the Arts and Letters Award in 2021.
MUST WATCH: Writing TV Drama with Greg Nelson
This course will give you an in-depth overview of writing for television - with a focus on one-hour drama. Together, we will cover:
1) The craft of writing TV drama: character, dialogue, structure etc.
2) The process of creating a TV series - designing it, developing it, pitching it.
3) Industry 101 - from agents to writing rooms.
It is intended for emerging professionals — writers early in their career, or moving to TV from another form of dramatic writing.
Dates: Mondays February 2 - March 9, 2026 (5 sessions)
Time: 6:30 pm - 9:00 pm EST on Google Meet
Fee for participants: $325
Subsidized spots are available, email Breanne at breanne@expect.org to inquire.
Applications close January 16, 2026.
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Gregory Nelson is a prolific writer and producer, whose credits include the Emmy Award-winning ORPHAN BLACK (BBCA), starring Tatiana Maslany, the historical drama FRONTIER starring Jason Momoa (Netflix), and the broadcast dramas ALL RISE (CBS), MANIFEST (NBC) and ROOKIE BLUE (ABC), for which he was nominated for a Canadian Screen Award. Greg was the creator and Showrunner of the police drama PLAYED (CTV). Greg is also an accomplished playwright -- his plays have been published and produced across Canada and have won multiple awards. He has written extensively for radio -- as co-creator and Head Writer of the radio drama series Afghanada, (6 seasons, 103 episodes) Greg received two Canadian Screenwriting Awards and a New York Festival award. Currently, Greg is developing multiple projects for television, including DR. FOOTBALL for NBCU, a medical procedural based on the true story of Kansas City Chiefs Defensive Tackle Laurent Duvernay-Tardiff; CARGO for CBC, an upbeat thriller based on the true-life story of the crew of a Canadian charter plane imprisoned in the Dominican Republic; and THE UNQUIET DEAD (created by Abdul Malik, based on the award winning novels), a police procedural set in Scarborough, also for CBC.
In this intensive, I extend to you an invitation to explore your own personal power, by mining the events of your life. I’ll help coach you into shaping them with love, telling them with conviction and finally respectfully offering them to an audience.
While there’s a certain courage required with this kind of sharing, which can make it feel daunting, I’ve found the closer I attend to serving the story and crafting it properly, is what gives me the encouragement to have the conversation I want with those listening.
Dates: Thursdays February 5 - March 5, 2026 (5 sessions)
Time: 6:30-9pm EST on Zoom
Fee for participants: $325
Subsidized spots are available, email Breanne at breanne@expect.org to inquire.
Applications close January 16, 2026.
ONLY THE TRUTH IS FUNNY: or, Everything You Wanted to Know About Writing a One Person Show but Were Afraid to Ask, with Sandra Shamas
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Sandra Shamas is a writer, director, performer of 7 one woman shows spanning the last 35 years. “And here’s the thing, if I do all of those things right, and the audience laughs, I’m a comedian. If they don’t, I’m a dramatist. Either way, I’ve done the job I am called to do, which is; stand on stage and tell the truth.”
PAST COURSES
From Script to Soundwaves
Join us for an immersive workshop designed for writers who are ready to harness the power of podcasting and take their storytelling beyond the stage.
This workshop provides a rare chance to explore the art of writing for audio, whether by crafting original audio dramas or adapting existing stage scripts to work in the podcasting realm. With an emphasis on storytelling that resonates in audio, participants will gain insight into the nuances that make audio drama distinct from traditional theatre.
Through engaging hands-on activities, participants will hone their skills in crafting dialogue, designing soundscapes, and experimenting with foley techniques. These practical skills will empower them to bring their stories to life in the audio medium, ensuring they leave the workshop with a strong understanding of how to produce compelling audio content.
Don’t miss this unique opportunity to elevate your craft and share your stories with listeners around the world.
Registration is now closed.